“It is a fearful thing to be an exception.”
— Bishop Myriel reflects on his own life and calling.

Jennifer Bassett (2012)
Genre
Fiction
Reading Time
60 min
Key Themes
See below
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In 19th-century France, an ex-convict's search for a new life conflicts with an inspector's relentless pursuit, all while revolution brews.
Jean Valjean, released from prison after nineteen years for stealing bread for his starving nephew, arrives in Digne. Society rejects him because his yellow passport marks him as a convict. Desperate, he seeks shelter. Only Bishop Myriel, a kind man, offers him food and a bed. That night, Valjean steals the Bishop's silver and runs. Police catch him and bring him back to Myriel. Instead of accusing him, the Bishop says he gave Valjean the silver, even adding two silver candlesticks. He tells Valjean to use them to become an honest man. This act of forgiveness deeply affects Valjean, starting his spiritual crisis and wish for redemption.
Years pass, and Jean Valjean, changed by the Bishop's kindness, becomes Monsieur Madeleine. He is a rich factory owner and the respected mayor of Montreuil-sur-Mer. He is known for his generosity and fair treatment of workers. One employee is Fantine, a young woman with an illegitimate daughter, Cosette, whom she pays the Thénardiers to care for. Fantine is fired from the factory when co-workers discover her secret, and a foreman, Bamatabois, dislikes her. With no support and needing money for Cosette, Fantine becomes a prostitute, selling her hair and front teeth. She falls into poverty and sickness. Valjean, unaware of her situation, is still troubled by his past.
Inspector Javert, a strict police officer, comes to Montreuil-sur-Mer. He was a guard at Valjean's prison and suspects Monsieur Madeleine is Valjean because of his unusual strength and a faint familiarity in his face. Javert's belief in the letter of the law means he cannot accept that a man could truly change. His suspicion grows when Valjean, with great strength, lifts a cart to save a man named Fauchelevent. Javert is sure he has found Valjean, but a mix-up leads to another man, Champmathieu, being mistaken for Valjean and arrested for a minor crime. Javert, believing he made a mistake, tells Valjean of his error.
Troubled by his conscience, Jean Valjean faces a hard choice: let an innocent man, Champmathieu, be condemned in his place, or reveal his true identity and lose his new life. He chooses to confess in court, declaring himself Jean Valjean. This act of self-sacrifice is a key moment in his redemption. Meanwhile, Fantine, very ill, is being cared for by Valjean. He had taken her from the streets and promised to get Cosette for her. When she hears Valjean has been arrested and cannot keep his promise, Fantine dies of shock and sadness, never seeing her daughter again. Javert tries to arrest Valjean at Fantine's deathbed.
Jean Valjean, after a short recapture, escapes prison again. He travels to Montfermeil to find Cosette, keeping his promise to Fantine. He finds her living a miserable life with the Thénardiers, a cruel innkeeper and his equally cruel wife. They exploit Cosette, making her do hard labor, dressing her in rags, and treating her badly while doting on their own daughters, Éponine and Azelma. Valjean sees Cosette fetching water in the woods and is moved by her hardship. He pays the Thénardiers a large sum of money to take Cosette, buying her freedom from their cruel care. He and Cosette then start a new life, constantly moving to avoid Javert.
Valjean and Cosette settle in Paris, but Javert's pursuit forces them to move often. One day, they barely escape Javert by climbing over a wall into a convent garden. Inside, Valjean recognizes Fauchelevent, the man he saved from under the cart, who is now the convent's gardener. Fauchelevent, grateful to Valjean, helps him and Cosette hide. Valjean pretends to be Fauchelevent's brother, and Cosette attends the convent school. This time offers them peace and security. Cosette grows up educated and sheltered. Valjean finds comfort in the quiet routine, working as Fauchelevent's assistant, though he remains careful about their disguise.
After several years, Valjean decides they must leave the convent so Cosette can experience the outside world. They move to a new house in Paris. Cosette, now a beautiful young woman, walks in the Luxembourg Gardens, where Marius Pontmercy, a passionate law student, sees her. Marius is estranged from his wealthy royalist grandfather, Monsieur Gillenormand, due to his republican beliefs and admiration for his father, a Napoleonic colonel. Marius is also part of a revolutionary student group, the Friends of the ABC, led by Enjolras, who advocate for social justice. Marius and Cosette fall in love, exchanging glances and then letters.
The Thénardiers, now poor and criminal, reappear in Paris using the name Jondrette. They try to extort money from Valjean, whom they recognize. Marius, living next door to the Thénardiers, overhears their plan to rob Valjean and tells Javert. Javert, undercover, watches the Thénardiers' hideout. Éponine, the Thénardiers' daughter, is now a ragged street girl who loves Marius, though he does not notice. She helps Marius find Cosette's new address, torn between wanting to be near him and knowing it will bring him closer to her rival. During the Thénardiers' robbery attempt, Valjean cleverly escapes Javert's trap. Éponine later intercepts a letter from Cosette to Marius, stopping it from reaching him, showing her desperate love.
Political tensions in Paris rise, leading to the June Rebellion of 1832 after General Lamarque's death. The Friends of the ABC, led by Enjolras, build barricades in the streets, believing this is their chance to start a revolution. Marius, heartbroken by Cosette's sudden disappearance (Valjean, fearing for her safety, plans to move them to England), joins the barricade, intending to die. Valjean, knowing Marius loves Cosette, also goes to the barricade to protect Marius. Éponine, disguised as a boy, joins the fight, determined to die with Marius. Javert infiltrates the barricade as a spy but is recognized and captured by the students.
The fighting at the barricade is fierce. The students are greatly outnumbered. Éponine, seeing a soldier aim at Marius, shields him, taking the bullet and saving his life. She dies in Marius's arms, confessing her love and giving him the letter from Cosette she had intercepted. Valjean, still at the barricade, has a chance to execute Javert but instead releases him, firing a shot into the air and telling Javert to escape, confusing the inspector. The barricade is overrun, and most students, including Enjolras and Gavroche (the Thénardiers' young son), are killed. Marius is badly wounded.
After the barricade falls, Jean Valjean finds the severely wounded Marius. With great strength, Valjean lifts Marius onto his shoulders and escapes through a sewer grate, entering the sewers of Paris. He navigates the dark, dangerous passages, facing unimaginable filth, all while carrying the unconscious Marius. This hard journey shows Valjean's love for Cosette and his selfless commitment to saving the man she loves. He meets Thénardier in the sewers, who is scavenging bodies, but Thénardier does not recognize Valjean in the dark. Valjean finds an exit but is confronted by Javert, who has been waiting.
Valjean, emerging from the sewers with Marius, is immediately caught by Javert. Javert allows Valjean a moment to take Marius to his grandfather's house for medical care. This act of mercy conflicts with Javert's strict view of the world. Javert is torn between his duty to the law, which demands Valjean's arrest, and the good acts he has seen from Valjean, especially saving Marius's life. He cannot reconcile the escaped convict with the kind savior. This internal conflict breaks his absolute faith in the law. Unable to cope with this moral problem, Javert kills himself by jumping into the Seine River, a last, desperate act to end his inner turmoil.
Marius recovers from his wounds and, with his grandfather's approval, reunites with Cosette. They marry. Valjean, now free from Javert's pursuit, struggles with how to fit into their new life. He tells Marius his past as an ex-convict, believing it is his duty to be honest and that his presence might spoil Cosette's happiness. Marius, shocked by the news and misunderstanding Valjean's reasons, believes Valjean is a criminal and tries to keep him from Cosette, fearing for her safety and reputation. He slowly limits Valjean's access to Cosette, causing Valjean great pain and loneliness.
The Thénardiers, still criminals, try one last scheme. Thénardier visits Marius, believing he has valuable information. He tries to blackmail Marius by claiming Valjean is a murderer and a thief, giving twisted versions of events, including the sewer incident. However, in trying to slander Valjean, Thénardier accidentally reveals details that show Valjean's true heroism: that Valjean had saved Marius's life by carrying him through the sewers, and that Valjean had paid the Thénardiers a large sum for Cosette's care. Thénardier also reveals that Valjean, as Monsieur Madeleine, had earned his fortune honestly. Marius finally understands Valjean's goodness and the depth of his sacrifices.
Realizing the truth, Marius feels deep regret and rushes with Cosette to Valjean's side. They find Valjean on his deathbed, weak. Marius apologizes for his misunderstanding and coldness. Cosette, now fully aware of her adoptive father's great sacrifices and love, embraces him. Valjean, surrounded by the love of his adopted daughter and her husband, shows them the two silver candlesticks given to him by Bishop Myriel, symbols of his first redemption and lifelong struggle for good. He dies peacefully, his soul at rest, having kept his promise to Fantine and found ultimate redemption through love and sacrifice. His life, once marked by prison, ends in grace and forgiveness.
The Protagonist
Valjean transforms from a resentful ex-convict into a beacon of selflessness and love, finding ultimate redemption through his sacrifices for Cosette and Marius.
The Antagonist
Javert's unwavering faith in the law is shattered by Valjean's consistent goodness and mercy, leading to an irreconcilable moral paradox that drives him to suicide.
The Supporting
Fantine's life is a downward spiral of sacrifice and suffering, dying tragically before she can be reunited with her daughter, but her memory motivates Valjean's actions.
The Supporting
Cosette transforms from a traumatized, exploited child into a beloved, educated young woman, eventually learning the truth of Valjean's sacrifices and embracing him.
The Supporting
Marius evolves from an idealistic, somewhat naive revolutionary to a more mature man, learning the truth about Valjean's heroism and reconciling with him.
The Antagonists
The Thénardiers remain consistently evil and opportunistic, descending further into destitution and crime, never achieving redemption.
The Supporting
Éponine's unrequited love for Marius drives her to both sabotage and ultimately save him, culminating in her tragic, selfless death at the barricade.
The Supporting
Myriel's singular act of profound compassion and forgiveness initiates Valjean's journey of redemption, his influence extending far beyond his physical presence.
The Supporting
Enjolras remains steadfast in his revolutionary ideals, leading his comrades to a heroic but ultimately doomed stand at the barricade, dying for his cause.
A main theme of 'Les Misérables' is the chance for redemption, even for the most condemned. Jean Valjean's change, sparked by Bishop Myriel's forgiveness (the silver candlesticks scene), shows that mercy can inspire great change. Valjean constantly tries to make up for his past, not just through good deeds but through self-sacrifice, like confessing his identity to save Champmathieu or risking his life for Marius. The difference between Myriel's grace and Javert's strict justice highlights the novel's argument for compassion as the true path to human salvation.
“Remember this: there is nothing good or bad, but thinking makes it so. Only the good deeds that we do are important.”
The novel questions the difference between legal justice and true moral justice. Inspector Javert represents the strict, unforgiving application of the law, believing that a criminal always remains one. His pursuit of Valjean, despite Valjean's clear goodness, shows the flaws of a system that values rules over humanity. Valjean, conversely, represents a higher form of justice, based on compassion, mercy, and personal responsibility. Javert's inability to reconcile Valjean's goodness with his criminal past leads to his moral breakdown, suggesting that a purely legal view of justice is not enough and can even be damaging.
“He believed in the law, and he believed in the police. He believed in the state, and in the rules. He believed that the law was never wrong, and that the state never made a mistake.”
The suffering caused by extreme poverty and social inequality is a common theme. Fantine's tragic fall into poverty, forced into prostitution and selling her teeth to support Cosette, clearly shows the harsh results of a society that offers little help or kindness to its most vulnerable. The Thénardiers' cruelty and exploitation of Cosette, and their own eventual decline, further highlight how poverty can corrupt. The June Rebellion, led by the Friends of the ABC, is a direct response to these deep social injustices, showing the desperation and anger of those ignored by the system.
“She was one of those women who are born for suffering.”
Love, in its many forms, is presented as a transforming and redeeming power. Valjean's fatherly love for Cosette drives his every action, leading him to great sacrifices, from escaping prison to carrying Marius through the sewers. This love gives his redeemed life purpose. Éponine's tragic, unrequited love for Marius leads to her sacrifice, saving his life. Marius and Cosette's romantic love offers hope and happiness amidst the suffering. The novel argues that true love involves selfless giving and a willingness to endure hardship for the beloved, ultimately leading to spiritual fulfillment.
“To love another person is to see the face of God.”
A physical symbol of Valjean's redemption and Bishop Myriel's mercy.
The two silver candlesticks, stolen by Valjean and then gifted to him by Bishop Myriel, serve as a potent symbol throughout the novel. They represent Myriel's profound act of forgiveness that initiates Valjean's spiritual transformation. Valjean keeps them his entire life, a constant reminder of his promise to become an honest man. They symbolize the light of goodness that Myriel ignited in him, guiding his path of redemption and sacrifice, and are present at his deathbed, signifying his completed journey.
A symbol of societal stigma and the inescapable past.
The yellow passport is a physical manifestation of Jean Valjean's past as a convict, marking him as an outcast wherever he goes. It symbolizes the societal prejudice and the inability of the law to allow for true rehabilitation or a fresh start. Even as Monsieur Madeleine, Valjean lives in constant fear of its discovery. It represents the inescapable shadow of his past and the constant threat of Javert's pursuit, highlighting the novel's critique of a justice system that brands individuals for life.
The frequent and improbable meetings of characters driving the plot.
The narrative of 'Les Misérables' relies heavily on a series of extraordinary coincidences that bring characters together at critical moments. From Valjean's repeated encounters with Javert, to his chance meeting with Fauchelevent in the convent, and the Thénardiers' constant reappearance in the lives of Valjean, Cosette, and Marius, these improbable events drive the plot forward. While some critics view this as a narrative weakness, it can also be interpreted as a device to emphasize the interconnectedness of human lives and perhaps the hand of fate or divine providence in Valjean's journey.
A metaphorical and literal underworld representing Valjean's final, arduous test.
The sewers of Paris serve as both a literal escape route for Valjean and Marius and a powerful metaphor. They represent an underworld, a place of filth, darkness, and danger, through which Valjean must pass to achieve his ultimate act of salvation. This journey mirrors Valjean's own descent into the metaphorical 'sewers' of society as a convict and his arduous struggle to emerge into the light of redemption. It is a place where he faces his past (Thénardier) and his nemesis (Javert) one last time, signifying his final trial.
“It is a fearful thing to be an exception.”
— Bishop Myriel reflects on his own life and calling.
“To love another person is to see the face of God.”
— Fantine's unwavering love for Cosette despite her own suffering.
“The greatest battles are fought in the secret chambers of the heart.”
— Valjean's internal struggle between his past and his desire for goodness.
“There are no bad plants or bad men. There are only bad cultivators.”
— Valjean's philosophy on human nature and the impact of society.
“”
— The overarching theme of the novel, reflecting the characters' struggles and hopes.
“”
— Cosette finds solace and joy in Valjean's love.
“He who opens a school closes a prison.”
— The importance of education as a means of societal improvement.
“To live is to suffer, to survive is to find some meaning in the suffering.”
— The harsh realities faced by many characters in the novel.
“Even the darkest night will end and the sun will rise.”
— A recurring motif of hope amidst despair.
“What is history? An echo of the past in the future; a reflex from the future on the past.”
— The novel's commentary on historical events and their lasting impact.
“The beautiful is as useful as the useful.”
— A philosophical observation on the value of beauty in life.
“Not to be loved is a misfortune, but it is a crime to not love.”
— The moral imperative to love and show compassion.
“There are such things as good encounters.”
— Valjean's life is transformed by his encounter with Bishop Myriel.
“He was one of those rare beings who are so profoundly gentle that they can be terrible.”
— Description of Valjean's complex character.
“No one is useless in this world who lightens the burden of another.”
— Valjean's actions demonstrate the power of helping others.
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