“Maybe this is what being a grown-up is. Not knowing what you're doing, but doing it anyway.”
— August reflects on her life and the uncertainty of adulthood.

Casey McQuiston (2021)
Genre
Romance
Reading Time
7-8 hours
Key Themes
See below
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A cynical Brooklyn transplant finds her world upended and her heart on the line when her subway crush turns out to be a punk rock lesbian from the 1970s, trapped in time and desperately needing her help to return home.
August Landry, a cynical and observant 23-year-old, moves to Brooklyn. She wants to escape her past and the shadow of her mother's lifelong obsession with solving her brother's disappearance. She finds an apartment in a quirky Bushwick building, sharing it with a diverse group of housemates: the psychic Myla, the drag queen and aspiring performer Nico, and the quiet, mysterious Isaiah. August wants to keep to herself, focusing on her diner job and avoiding deep connections. She observes her new surroundings with detached curiosity, slowly settling into her new, independent life, though always with a sense of underlying melancholy and a fear of getting too close to anyone.
During her daily commute on the Q train, August repeatedly sees the same stunning woman with long dark hair and a leather jacket. This woman, Jane Su, is always there, always observing, and always seems bewildered. August is drawn to Jane's mysterious aura, eventually striking up a conversation. Jane is charming, witty, and surprisingly old-fashioned, making August laugh and feel a connection she hadn't anticipated. Their interactions become the highlight of August's day, a comforting routine amidst the chaos of the subway. August begins to feel an undeniable pull towards Jane, despite her usual reluctance to form attachments.
August's initial infatuation with Jane deepens, but she also notices strange things about her. Jane doesn't seem to understand modern technology, uses outdated slang, and expresses confusion about the current world. One day, Jane reveals the truth: she is from 1970s Brooklyn, specifically 1977, and has been stuck on the Q train for decades, unable to leave the subway system. She doesn't age, and the world outside the train is a blur to her. This shocks August, but instead of pushing her away, it fuels her desire to help Jane, tapping into her latent detective skills inherited from her mother.
Determined to help Jane, August confides in her housemates, Myla and Nico. They, surprisingly, are open to the fantastical explanation. Myla, with her psychic abilities, senses a powerful energy around Jane. Nico, ever the performer, is intrigued by the mystery. Together, they begin to research Jane's past, looking for clues about what might have caused her displacement. They scour historical archives, old newspapers, and online databases, often meeting Jane on the Q train to gather more information about her life in the 70s. Isaiah, August's quiet housemate, also subtly offers his tech-savvy assistance, proving to be a valuable, if understated, asset to their investigation.
As August and her friends look deeper into Jane's past, August and Jane's relationship intensifies. Their meetings on the Q train become a sanctuary where they share stories, dreams, and vulnerabilities. August introduces Jane to aspects of modern life through stories and descriptions, while Jane shares tales of 1970s Brooklyn, its music, culture, and activism. They fall deeply in love, their connection transcending the impossible circumstances. August opens up in ways she never thought possible, sharing her own guarded past. Jane, for the first time in decades, feels truly seen and loved, gaining a renewed sense of hope despite her temporal prison.
The investigation reveals that Jane was an activist in the 1970s, involved in fighting for LGBTQ+ rights and other social justice causes. They learn about her close-knit group of friends, including Annie, a fellow activist. August and her housemates piece together that Jane was last seen after a protest, and her disappearance was largely overlooked by authorities due to the social climate of the time. They track down surviving members of Jane's old activist group, now elderly, hoping they might hold a key to her predicament, and discover the impact Jane had on her community.
After much searching, the team discovers that Annie, Jane's closest friend from the 70s, is still alive and living in Brooklyn. They learn that Annie was also involved in the protest where Jane disappeared and was the last person to see her. The housemates realize that Annie's memories, and perhaps her direct involvement, might be crucial to understanding what happened to Jane. August feels the urgency, knowing they must connect with Annie to unlock the mystery of Jane's temporal displacement. This discovery brings both hope and a renewed sense of pressure, knowing that time is of the essence for Jane to return to her rightful place.
August, accompanied by Myla and Nico, finally meets Annie, now an older woman. Annie initially struggles with the memories but eventually recounts the night Jane disappeared. She explains that Jane, exhausted and emotionally drained after a particularly intense protest, had fallen asleep on the Q train. Annie, intending to wake her, stepped off the train for a moment, and when she turned back, Jane and the train were gone. Annie reveals that a powerful, almost magical, surge of energy had been present that night, related to a specific intersection of time, space, and a unique electrical storm. This was not a simple disappearance; it was an extraordinary event.
With Annie's fragmented memories and Myla's intuitive understanding of the energy, August and her housemates devise a plan. They theorize that a similar set of circumstances – the same subway station, the same time of night, a specific electrical storm, and the presence of someone who deeply understands Jane's connection to that moment – might be able to reverse the displacement. They decide to recreate the conditions of Jane's disappearance, with August taking Annie's place, hoping to ground Jane back into her original timeline. The plan is dangerous and uncertain, relying on a combination of scientific theory, mystical intuition, and sheer hope.
On the night of a predicted electrical storm, August, Myla, Nico, and Isaiah gather at the designated subway station. Annie is also present, providing emotional support and a grounding connection to the past. As the Q train arrives and Jane steps onto the platform, the storm intensifies, and a powerful, shimmering energy fills the air. August, holding a significant object from Jane's past, confronts the temporal barrier, pouring all her love and understanding into the moment. It is a tearful, desperate attempt to bridge the gap, a test of their bond against the forces of time itself, with the fate of their love hanging in the balance.
In a flash of light and energy, the plan works. Jane is pulled back into her original timeline, disappearing from the modern subway platform. August feels a profound sense of loss and emptiness, but also a deep peace, knowing she helped Jane return home. The housemates comfort August, acknowledging the extraordinary journey they've shared. August is left with the bittersweet reality of having loved someone she could not keep, but also with the knowledge that she finally allowed herself to connect deeply with others. She understands that while Jane is gone, the love they shared has fundamentally changed her, making her less cynical and more open to the world.
Months pass, and August, though still missing Jane, begins to truly live her life in Brooklyn. Her relationships with Myla, Nico, and Isaiah have deepened into a true found family. She continues working at the diner, but now with a renewed sense of purpose and connection. She even begins to explore her own interests, including photography, a hobby she'd neglected. August realizes that Jane's love, though brief and impossible, taught her the importance of living fully, loving openly, and embracing the unexpected. She finds peace in the knowledge that she saved Jane, and in doing so, saved a part of herself, finally moving past the shadow of her past and embracing her future.
The Protagonist
August transforms from a detached, cynical observer into a woman capable of deep love and connection, finally moving past her past trauma.
The Love Interest / Time-Displaced Character
Jane goes from being a resigned, time-lost soul to finding hope and love, ultimately returning to her own time with August's help.
The Supporting
Myla's role is largely consistent, providing her unique perspective and support throughout August's journey.
The Supporting
Nico's character largely remains consistent, serving as a pillar of friendship and humor for August.
The Supporting
Isaiah's arc is subtle, showing him gradually opening up and becoming more actively involved with his housemates.
The Supporting
Annie finds closure and a sense of peace by finally understanding what happened to Jane and contributing to her return.
The Mentioned
Sarah's character is static, serving as a foundational element of August's backstory and motivation.
August initially isolates herself, but her housemates—Myla, Nico, and Isaiah—become her chosen family. They offer unconditional support, humor, and practical help in her quest to save Jane. This theme is evident when August confides in them about Jane's impossible situation, and they not only believe her but actively participate in the complex investigation, creating a safe and loving home for August. Their collective efforts show how shared purpose and genuine care can forge bonds stronger than blood.
““Home isn’t a place, it’s a feeling. And I found it here, with you guys.””
The central romance between August and Jane defies logic, spanning decades and the physical confines of the subway. Their love story shows that deep connection and emotional intimacy can overcome seemingly insurmountable obstacles. Their shared moments on the Q train, filled with laughter, vulnerability, and mutual understanding, illustrate how love can create a sanctuary regardless of external circumstances. This theme challenges the notion that love must conform to conventional boundaries, proving its power to thrive even when faced with temporal displacement.
““It wasn’t a crush. It was a gravitational pull. And I was falling, hard.””
Jane's background as a queer activist in the 1970s grounds the fantastical element of time travel in a significant historical context. The story highlights the struggles and triumphs of the LGBTQ+ rights movement, reminding readers of the sacrifices made for the freedoms enjoyed today. August and her friends' research into Jane's past uncovers the often dangerous world of 70s activism, emphasizing how past movements shape the present. This theme shows that understanding history, particularly the fight for social justice, is crucial for appreciating progress and continuing the work.
““We were making history, even if no one knew it yet.””
August begins the story as a guarded, cynical individual, scarred by her past. Her journey with Jane forces her to dismantle her emotional walls and embrace vulnerability. By opening up to Jane and her housemates, August learns to trust, love, and rely on others, transforming her from an isolated observer into an active participant in life. This theme is evident in her willingness to risk heartbreak to help Jane and in the genuine connections she forms with her found family, showing that true strength is allowing oneself to be seen and loved.
““I wasn't just saving her; I was saving myself.””
Both August and Jane are searching for a place to belong. August, having drifted for years, seeks a stable home and a sense of community in Brooklyn. Jane, displaced from her own time, yearns for the familiarity of her past and a place where she truly fits. Their shared quest for belonging forms a powerful bond between them. Ultimately, August finds her 'home' not just in a physical apartment but in the loving connections she builds with her housemates, while Jane's journey is about returning to her original home and time. This theme explores how 'home' is often more about people and emotional safety than a physical location.
““Maybe home wasn’t a place you found, but a place you made.””
Jane is physically present in the modern era but temporally anchored to the 1970s Q train.
This is the central fantastical element of the story. Jane Su is trapped on the Q train, unable to leave the subway system, and exists outside of normal time progression, remaining the same age since 1977. This device creates the core mystery and the central conflict, driving August's investigation and the urgency of their mission. It serves as a metaphor for being stuck in the past, unable to move forward, and allows for the exploration of themes like lost history and the impact of the past on the present. The anomaly's specific rules (e.g., Jane can only interact within the train, doesn't age) dictate the limitations and possibilities of the plot.
August's quirky housemates form a supportive, non-biological family.
The found family trope is essential to August's emotional journey. Her housemates—Myla, Nico, and Isaiah—provide the emotional and practical support system August desperately needs but initially resists. They believe her fantastical story about Jane, pool their resources, and offer unwavering friendship, becoming the bedrock of her new life. This device contrasts with August's strained relationship with her biological family, highlighting the power of chosen connections and providing a safe space for August to open up and grow, ultimately enabling her to help Jane.
The lingering disappearance of August's uncle fuels her detective instincts.
The unresolved disappearance of August's Uncle Augie, and her mother's lifelong obsession with finding him, serves as a crucial backstory element. This device explains August's initial cynicism, her guarded nature, and her inherent, almost compulsive, detective skills. It provides a personal motivation for her desire to help Jane, as she sees a parallel between Jane's situation and her own family's past trauma. It also sets up a thematic resonance, suggesting that by solving Jane's mystery, August can indirectly find some form of closure for her own family's unresolved pain.
The subway acts as a physical and temporal boundary for Jane.
The Q train itself functions as more than just a setting; it's a liminal space, a boundary between Jane's past and August's present, and a prison for Jane. It represents the temporal barrier that holds Jane captive and the only place where she and August can consistently interact. Its constant movement symbolizes Jane's inability to settle, while its enclosed nature emphasizes her confinement. The train becomes a sacred, intimate space for their relationship, contrasting with the chaotic outside world and underscoring the extraordinary nature of their connection.
“Maybe this is what being a grown-up is. Not knowing what you're doing, but doing it anyway.”
— August reflects on her life and the uncertainty of adulthood.
“Love isn't a straight line. It's a series of detours and U-turns and sometimes, if you're lucky, a one-way trip to somewhere beautiful.”
— August contemplates the unpredictable nature of love.
“You don't have to be a hero to save someone. Sometimes you just have to be a person who cares.”
— August considers the simple act of caring for others.
“The past isn't a place you can live, but it's a place you can learn from.”
— August and Jane discuss their pasts and moving forward.
“Sometimes the most extraordinary things are hidden in plain sight.”
— August begins to uncover the mystery surrounding Jane.
“It’s not about being perfect. It’s about being real.”
— August and Jane share a moment of vulnerability.
“You don't have to understand everything to believe in it.”
— August struggles to comprehend Jane's predicament.
“The world is big and strange and beautiful, and you're allowed to be a part of all of it.”
— Jane encourages August to embrace life's possibilities.
“Home isn't a place, it's a feeling. It's the people you choose to share your life with.”
— August reflects on finding a sense of belonging.
“Sometimes the best way to help someone is to let them help themselves.”
— August learns the importance of supporting independence.
“Every single person you meet has a universe inside them.”
— August considers the depth and complexity of individuals.
“The future isn't set in stone. It's a canvas, and you're holding the brush.”
— Jane inspires August to take control of her destiny.
“You can't rewind time, but you can always press play on a new beginning.”
— August contemplates starting fresh after a significant change.
“Being seen, truly seen, is a kind of magic.”
— August experiences the profound connection with Jane.
“It's never too late to find your people, even if you thought you were done looking.”
— August finds her chosen family in New York.
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