“The past is never really gone, is it? It just waits for the right moment to reappear.”
— A recurring thought for the protagonist as old cases resurface.

Mary Higgins Clark (1998)
Genre
Thriller / Mystery / Romance
Reading Time
384 min
Key Themes
See below
Sign in to track this book
A radio talk show host investigates the disappearances of lonely women on cruise ships. She soon discovers the killer is hunting her, and the men closest to her might be the predator she seeks.
Dr. Susan Chandler, a psychologist and host of a popular New York City radio talk show, starts a new series about women who disappear, often after being targeted by predators. During one show, Ethel Lambston calls, claiming she has information about Regina Clausen, a wealthy investment advisor who vanished from a cruise ship years ago. Ethel hints she recognizes the killer from a photograph and promises to send Susan details. This call interests Susan, but also makes her uneasy. Ethel's voice sounds frightened, suggesting she knows more than she is saying.
Before Ethel Lambston can mail the package to Dr. Susan Chandler, she is attacked in her home. The assailant, failing to get information from her, leaves her for dead. Ethel survives but is in a coma, unable to speak. This violent act confirms Susan's suspicion that Ethel's information was dangerous and that someone is trying to silence anyone who gets too close to the truth about Regina Clausen's disappearance. The incident also puts Susan on alert, as her radio show has made her a target.
Feeling responsible for Ethel Lambston's attack and wanting to find the truth, Dr. Susan Chandler starts her own investigation. She looks into the cold case of Regina Clausen, a woman whose disappearance from a cruise ship years prior is unsolved. Susan reviews police reports and news articles, trying to understand the events before Regina vanished. She also talks with detectives, including Mike Richfield, who was initially dismissive but becomes more involved as Susan finds new leads. Susan's desire for justice for Ethel and Regina puts her in the killer's path.
As Susan's investigation deepens, she meets several men connected to Regina Clausen or Ethel Lambston. These include Skip Reardon, a wealthy art dealer who was Regina's fiancé when she disappeared; his brother, George Reardon, a less successful but equally mysterious figure; and Ben Miller, a former security guard on the cruise ship where Regina vanished, who is now a private investigator. Each man offers a different view of Regina's life and disappearance. Susan tries to figure out who is genuinely helpful and who might be hiding something, or be the killer.
Through her research and interviews, Susan finds a pattern: lonely, rich women traveling alone on cruise ships have vanished over the years, often after meeting charming strangers. Regina Clausen fits this profile, as did Anne Marie Johnson, whose case also catches Susan's attention. The killer, it seems, preys on vulnerability, carefully planning his approach and escape. This makes Susan believe a serial killer is active, and that Ethel Lambston's information was directly linked to this pattern, making her a threat that needed to be eliminated.
As Susan's investigation continues, the killer begins to target her directly. She receives threatening phone calls, her apartment is broken into, and she has several close calls that suggest someone is watching her. These incidents increase the danger, making it clear the killer sees Susan as a threat to his freedom. The fear intensifies for Susan, who realizes she is not just investigating a killer but is now a potential victim. The threats affect her, but also strengthen her resolve to unmask her tormentor.
After much searching, the package Ethel Lambston meant to send to Susan is found. Inside, Susan finds a photograph of people on a cruise ship, taken years ago. Ethel had circled one of the men in the photo, a man Susan recognizes. This photograph is the link Ethel had promised, providing a clear visual clue to the killer's identity. The discovery of this photograph confirms Ethel's claims and puts Susan in immediate danger, as she now has the evidence the killer tried to hide.
With the photograph from Ethel, Susan realizes with certainty that the man circled in the picture is Skip Reardon, Regina Clausen's former fiancé. The charming art dealer has been a constant presence in Susan's investigation, offering help and support, all while hiding a secret. This revelation changes Susan's world. She deals with the betrayal and the terrifying thought that she has been near a dangerous serial killer, who has likely been manipulating her.
Armed with the truth, Susan confronts Skip Reardon. She uses her radio show to subtly provoke him into revealing himself. During a tense meeting, Skip, feeling trapped, drops his charming act and confesses to the murders of Regina Clausen and other lonely women, as well as the attack on Ethel Lambston. He reveals his motive: to inherit their wealth and keep his lavish lifestyle. The confrontation quickly becomes dangerous for Susan, as Skip tries to silence her permanently, like his previous victims.
Just as Skip Reardon is about to attack Susan, Detective Mike Richfield, who has been working with Susan and suspected Skip, arrives. A struggle happens, and Skip is arrested, ending his reign of terror. Ethel Lambston, still recovering, identifies Skip, further strengthening the case. The resolution brings closure to the families of Regina Clausen and the other victims. Susan, though shaken, finds a new purpose, having exposed a dangerous predator and potentially saved many other women from a similar fate.
The Protagonist
Susan transforms from a concerned radio host into an amateur detective, confronting her own fears and facing a deadly adversary to bring justice to victims.
The Antagonist
Skip maintains his facade until Susan's investigation exposes his true, murderous nature, leading to his downfall.
The Supporting
Ethel acts as a crucial plot device, providing the initial lead and later the key piece of evidence, despite her incapacitation.
The Supporting
Mike transitions from a professional contact to Susan's partner in solving the case and her eventual romantic interest.
The Mentioned
Her past disappearance serves as the inciting incident for the entire plot, her story revealed through investigation.
The Supporting
George remains a secondary character whose insights and resentments contribute to the unfolding mystery, but he does not undergo significant personal transformation.
The Supporting
Ben provides key historical information but does not have a significant personal arc.
This theme explores how predators exploit the emotional and social isolation of women, especially those who are financially independent but emotionally vulnerable. The killer targets rich, single women traveling alone on cruise ships, preying on their desire for companionship. Regina Clausen and other victims fit this profile, showing the dangers that can exist in a seemingly perfect setting. Susan's radio show is built around this idea, aiming to warn women, and her exploration of this theme draws the killer's attention.
“He preys on the lonely and insecure.”
A main theme is how appearances can fool people, and how trust can be broken. Skip Reardon, the charming art dealer, shows this. He presents himself as a grieving fiancé and a helpful ally to Susan, while being the killer. The shock of this discovery for Susan shows how easily one can be manipulated by a charismatic front. The killer's ability to maintain his deception for years, even under scrutiny, highlights the nature of his betrayal, not just of his victims, but of society's trust.
“The hunter had become the hunted, and she herself was marked for murder.”
The novel is driven by Dr. Susan Chandler's commitment to finding the truth and getting justice for the victims. Motivated by guilt over Ethel Lambston's attack, Susan's resolve grows as she uncovers the killer's crimes. Her risk-taking, her investigation, and her refusal to back down, even when threatened, show this theme. The pursuit of justice is not just about catching the killer; it is also about giving a voice to those who were silenced and bringing closure to their families.
“She had no idea that she was exposing herself -- and those closest to her -- to the very terror that she hopes to warn others against.”
Susan's radio talk show is not just a background element but a key part of the plot, showing how media can inform and also expose. Her show brings the issue of missing women to a wider audience, attracting Ethel Lambston's call and then the killer's attention. Media acts as a double-edged sword: it allows Susan to share warnings and gather information, but it also makes her a public figure, a target, and a platform for the final confrontation. The novel shows how public communication can amplify a message, for better or worse.
“Susan decides to use her daily radio talk show to explore the phenomenon of women who disappear...”
A crucial piece of information provided by a vulnerable character.
Ethel Lambston's phone call to Susan's radio show, where she hints at recognizing the killer and promises to send evidence, serves as the primary inciting incident. This device immediately establishes the stakes and provides Susan with her first tangible lead. The subsequent attack on Ethel, before she can fully deliver her message, heightens the suspense and underscores the danger of the information she possesses, propelling Susan into a deeper investigation and creating a race against time.
Misleading clues or characters designed to distract from the true killer.
The narrative employs several red herrings, particularly through characters like George Reardon and Ben Miller, who appear to have connections or suspicious behaviors that could point to them being the killer. George's resentment towards Skip and his financial woes, combined with his knowledge of past events, are designed to make the reader suspect him. These diversions keep the reader guessing and build suspense, making the eventual reveal of Skip Reardon as the killer more impactful and surprising.
A killer who operates in the shadows, creating a pervasive sense of dread.
For much of the novel, the killer remains largely unseen, only making his presence known through menacing phone calls, break-ins, and attempts on Susan's life. This device creates a constant atmosphere of psychological suspense and dread, as Susan, and the reader, know a dangerous individual is out there, watching and waiting. The killer's anonymity makes him more terrifying, as he could be anyone, including someone Susan trusts, intensifying the paranoia and increasing the stakes as Susan closes in on his identity.
The protagonist's increasing personal involvement and endangerment.
Susan's investigation quickly moves beyond a detached professional interest to a deeply personal one. First, she feels responsible for Ethel Lambston's attack. Then, she finds herself falling for Skip Reardon, the very man who turns out to be the killer. This personal connection, especially the romantic involvement with the antagonist, elevates the emotional stakes and makes Susan's eventual realization and confrontation far more terrifying and impactful, as her life is directly threatened by someone she had come to trust.
“The past is never really gone, is it? It just waits for the right moment to reappear.”
— A recurring thought for the protagonist as old cases resurface.
“Sometimes the most dangerous secrets are the ones we keep from ourselves.”
— Dr. Susan Chandler reflecting on the motivations behind her patients' actions, and perhaps her own.
“You can run, but you can't hide from the truth, especially when it's buried in your own mind.”
— A general observation about the nature of guilt and memory in the thriller genre.
“Love can be a powerful motivator, for good or for evil.”
— Contemplation on the complex relationships and their darker sides within the story.
“The eyes are the windows to the soul, but they can also be the windows to a lie.”
— Susan observing someone she suspects is being dishonest.
“It's amazing how quickly trust can erode when suspicion takes root.”
— Susan experiencing doubt about those close to her.
“The most chilling stories are often the ones based on real life.”
— A reflection on the podcast's appeal and its connection to actual events.
“Everyone has a shadow side, a part of themselves they keep hidden.”
— A psychological insight into the characters' complexities.
“Even in the darkest moments, hope can be a fragile but persistent flame.”
— Susan finding strength amidst danger and uncertainty.
“The greatest fear is not knowing who you can truly trust.”
— The pervasive paranoia felt by the protagonist.
“A photograph can capture a moment, but it can also hide a multitude of sins.”
— Examining old photos for clues, realizing their deceptive nature.
“Sometimes, the quiet ones are the ones you need to watch the most closely.”
— An observation about a character who initially seems harmless.
“Justice is not always swift, but it has a way of finding its mark.”
— The eventual resolution of the mystery, emphasizing the long reach of justice.
“The heart has its reasons, which reason knows nothing of.”
— Exploring the irrationality of love and attachment even in perilous situations.
Ready to see how well you understood this book? Take our interactive quiz with 10 questions.