“It was very interesting to be a refugee. The best game she'd ever played.”
— Anna reflects on her initial experience of being a refugee, seeing it as an adventure.

Judith Kerr (1971)
Genre
Children's / Historical Fiction / Young Adult
Reading Time
180 min
Key Themes
See below
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Nine-year-old Anna's world of school and tobogganing shatters as her Jewish family secretly flees Hitler's Germany, leaving behind everything she knows, including her beloved pink rabbit.
Nine-year-old Anna and her older brother Max live a comfortable life in Berlin with their parents, writer Arthur Kemper and his wife. As the 1933 elections near, political tensions rise, and the family hears discussions about the growing threat of the Nazis. One day, Anna's mother disappears, only to return with news that their father has already left Germany for Switzerland because of his anti-Nazi writings. The children are told they must leave immediately to join him, taking only what they can carry. In the rush, Anna chooses between her new fluffy dog and her old pink rabbit; she chooses the dog, believing the rabbit is safe at home. This decision later symbolizes her lost childhood.
Anna, Max, and their mother travel by train to Switzerland, where they reunite with their father in a small guesthouse near Zurich. The family is relieved to be together but quickly realizes their new life is very different from their old one in Berlin. They have less money and fewer possessions. Anna and Max attend a local Swiss school where they struggle with the German dialect spoken by their classmates. Anna finds it hard to make friends at first, feeling like an outsider. Despite the challenges, the family tries to live normally, enjoying the Swiss landscape and finding small joys in their new, temporary home.
In Switzerland, Anna and Max find their German is different from the Swiss-German dialect spoken by their schoolmates, leading to misunderstandings and feelings of not belonging. Anna, especially, struggles to fit in and make friends, often feeling lonely. Max, being older, adapts a bit better, but both children miss their old lives and friends in Berlin. Their parents encourage them to learn the local dialect and customs, stressing the importance of adapting to their new environment. Despite these efforts, Anna often feels like an outsider, constantly reminded of being a refugee and the life she left behind.
Papa, a well-known writer in Germany, finds it hard to get work and have his anti-Nazi articles published in Switzerland. The family's money situation becomes difficult, forcing them to live very carefully. Mama tries to save money whenever possible, and the children become aware of their parents' worries. Papa often travels to Paris for meetings and to find publishing chances, leaving Mama to manage the house and children alone. The constant uncertainty about their income and future weighs heavily on the family, but they try to protect Anna and Max from the full extent of their worries, putting on a brave face.
After a year in Switzerland, Papa's publishing prospects get worse, leading the family to decide on another move, this time to Paris, France. The idea of learning a new language and adapting to another new culture is daunting for Anna and Max. The journey to Paris is a mix of excitement and worry. On arrival, they find a small, cramped apartment, a contrast to their spacious home in Berlin. The city is lively and overwhelming, and the children immediately begin to face the challenges of understanding and speaking French.
In Paris, Anna and Max enroll in a French school. Learning French is a big hurdle, especially for Anna, who at first feels completely lost. The French children are sometimes unkind, making fun of their accents. However, with the help of a kind teacher and their own effort, the children slowly start to learn the language. Anna discovers a talent for drawing and finds comfort in art. The family's money problems continue, but they find joy in exploring Paris and experiencing French culture, including good food and museum visits.
Papa's writing career gains some momentum in Paris, and he becomes more involved in anti-Nazi political groups. His articles are published in German-language newspapers in exile, and he even travels to England for speaking engagements. While this brings purpose and some income, it also highlights the constant danger they are in, as the Nazis continue to pursue their opponents. The children know the risks, but their parents try to shield them from the full weight of the political situation, focusing on their education and daily life.
Anna, still young, slowly begins to understand why they are in exile. She learns about the persecution of Jews in Germany, even though her family is not particularly religious. A moment occurs when she sees a picture of the Yellow Star in a newspaper and understands its terrifying meaning. This realization brings a deeper understanding of the injustice and danger they escaped, and why they cannot return home. It marks a shift in her innocence, as she deals with the harsh realities of the world and the specific threat to Jewish people.
Papa receives a job offer in England, writing for a newspaper. This news brings great relief and excitement to the family, promising a more stable future away from the immediate threat of Nazi expansion in Europe. The idea of learning yet another new language and culture is daunting, but the children are adaptable. They begin to prepare for their next move, packing their limited belongings once more. The move to England represents a fresh start and the hope of finally finding a safe and permanent home, free from constant fear and displacement.
The family says goodbye to their friends in Paris and prepares for their journey to England. Anna feels a pang of sadness at leaving the city where she has made new friends and learned so much, but also looks forward to what lies ahead. The journey across the English Channel is another transition. As they arrive in England, the children again face a new language and customs, but they are more experienced now in adapting to change. The book ends with the family looking towards their new life in England, carrying memories of their past and hope for a secure future.
The Protagonist
Anna matures from a naive child to a resilient young girl who understands the complexities of her family's exile and adapts to constant change.
The Supporting
Max develops from a typical older brother to a more responsible and adaptable young man, supporting his family through their difficult journey.
The Supporting
Papa maintains his integrity and political convictions, enduring hardship to protect and provide for his family, never compromising his beliefs.
The Supporting
Mama demonstrates increasing strength and resourcefulness, becoming the family's anchor as they face constant displacement and financial strain.
The Mentioned
Their unchanging presence in Germany highlights the tragic permanence of the family's exile and the loss of their former life.
The Supporting
Vreneli remains a kind and accepting friend during Anna's time in Switzerland, providing temporary comfort and connection.
The Supporting
Monsieur Dubois serves as a supportive figure, facilitating Anna's linguistic and cultural adaptation in Paris.
The Supporting
Corinne becomes a close friend, helping Anna to feel more at home and accepted in Paris.
The main theme is Anna's gradual loss of childhood innocence as she faces the realities of political persecution and exile. Her decision to leave her pink rabbit in Berlin symbolizes this loss; she thinks it's safe, but it becomes a symbol for the childhood she can never fully get back. Each move, each new language, and each financial struggle takes away from her carefree life, forcing her to grow up faster. She slowly understands the danger her family faced and the reasons for their displacement, moving from unawareness to a deeper understanding of the world's injustices, especially about the Yellow Star and the persecution of Jews.
“What had it been like, to be a child who didn't know that her country was trying to kill her father?”
The novel shows the many challenges of being a refugee: constant moving, money problems, language barriers, and the struggle to belong. The Kemper family's journey from Germany to Switzerland, then to France, and finally to England, highlights the continuous need to adapt. They must learn new languages, navigate different school systems, and adjust to various cultural norms. Despite the difficulties, the family's ability to recover and find joy in small moments, like exploring new cities or enjoying simple meals, shows the human ability to adapt when faced with hardship. Their experience shows the courage needed to rebuild a life from nothing.
“It was difficult to explain to a child that you had to be careful, even with your own family, because the country you loved was trying to kill your father.”
Throughout their difficult journey, the Kemper family's strong bonds and support for each other are their greatest strengths. Despite money problems, constant moves, and underlying fear, Papa and Mama prioritize their children's well-being and education. They work together to maintain a sense of normalcy and hope, often shielding Anna and Max from the full extent of their worries. The children, in turn, rely on each other for friendship and understanding. Their shared experiences of displacement create a strong unity, showing how family love and resilience can last through even the hardest times and provide a stable core in an unstable world.
“But the most important thing was that they were all together. And as long as they were together, they could face anything.”
Papa's job as a writer is central to the family's identity and the reason for their exile. His anti-Nazi writings show the power of words to challenge oppression, but also their potential to cause danger. For Anna, storytelling, especially through drawing, becomes a way to process her experiences and express her changing understanding of the world. The act of telling their story, as Judith Kerr does semi-autobiographically, also helps preserve memory and record a historical period. It shows how personal stories shape individual and group identity, especially for those whose lives are uprooted.
“Papa used to say that the only way to fight evil was to tell the truth about it.”
A symbolic lost toy representing Anna's lost childhood and innocence.
Anna's pink rabbit is a powerful symbol. Left behind in Berlin during the hasty escape, it represents the childhood Anna was forced to abandon. Initially, she dismisses it as unimportant compared to her new fluffy dog, but later, its loss signifies the irretrievable past and the innocence she shed. The rabbit embodies the tangible and intangible losses of exile, becoming a poignant reminder of her former life and the unrecoverable comfort of home.
The constant change of countries and cities reflecting the refugee journey.
The narrative's progression through distinct geographical locations—Berlin, Switzerland, Paris, and England—is a key plot device. Each setting presents new challenges (language, culture, financial) and marks a stage in the family's adaptation. This constant movement underscores the instability and rootlessness inherent in the refugee experience, highlighting the psychological impact of never truly having a permanent home. It also allows the author to depict the broader political landscape of Europe on the eve of WWII through a child's eyes.
The story is told through the eyes of a young, initially naive protagonist.
Telling the story from Anna's nine-year-old perspective is a crucial device. It allows complex political events and personal hardships to be presented in a simplified, yet deeply impactful, way. Her initial innocence and gradual understanding of the dangers and reasons for their exile make the historical context accessible to young readers. This perspective emphasizes the personal cost of war and persecution, filtering grand historical narratives through the intimate lens of a child's experiences and emotions, making the story more relatable and poignant.
Early glimpses of Nazi propaganda hint at the impending danger.
The presence of political posters and overheard adult conversations about Hitler and the Nazis in the initial Berlin scenes serve as subtle foreshadowing. These elements hint at the impending danger and the reasons for the family's sudden flight, even before Anna fully comprehends their meaning. This device builds tension and contextualizes the family's actions, demonstrating how political shifts begin subtly before erupting into life-altering events, viewed through the innocent, yet increasingly aware, eyes of a child.
“It was very interesting to be a refugee. The best game she'd ever played.”
— Anna reflects on her initial experience of being a refugee, seeing it as an adventure.
“The world was a safe place, and grown-ups were in charge, and they knew what they were doing.”
— Anna's initial worldview before her family's flight from Germany and the subsequent challenges.
“It was much more difficult to be poor than she had imagined. It was a full-time job.”
— Anna's growing awareness of her family's financial struggles in Switzerland and France.
“She suddenly understood that if you were a Jew, it was like having a secret name that people could find out.”
— Anna's dawning realization about the danger of being Jewish in Nazi Germany.
“It didn't matter where you were, as long as you were all together.”
— A recurring sentiment that reflects the family's strong bond and resilience.
“The trouble with being a refugee was that you had to be grateful for everything.”
— Anna's internal struggle with the expectations placed upon refugees, even for basic necessities.
“She loved her father more than anything in the world, and he was a genius, and he was brave.”
— Anna's unwavering admiration and respect for her father, despite their difficult circumstances.
“It was almost as if the sun had gone out. As if the whole world had turned grey.”
— Anna's feeling of despair and loss when she realizes the permanent break from her old life in Berlin.
“And the Pink Rabbit? Well, Hitler stole that.”
— The title-referencing line, highlighting the personal cost of the political upheaval.
“Being a refugee meant learning to live in the present, because the past was gone and the future was uncertain.”
— Anna's implicit adaptation to her new life, focusing on day-to-day survival and small joys.
“She had thought that once they left Germany, they would be safe. But safety was a complicated thing.”
— Anna's realization that merely leaving Germany didn't solve all their problems; new challenges arose.
“It was a strange feeling, to be so happy and so worried at the same time.”
— Anna often experiences conflicting emotions, such as joy for small pleasures amidst constant anxiety about their situation.
“She knew that her father wrote things that people wanted to read, and that was a very important job.”
— Anna's understanding of her father's work as a writer and its significance, especially as he critiques the Nazis.
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