“Before the war, before the deaths, before the world changed, before all the things that happened, there was a time that Lizzy thought of as 'before.'”
— Lizzy reflects on the innocence of her past before the Civil War and its profound impact.

Dolen Perkins-Valdez (2010)
Genre
Historical Fiction
Reading Time
300 min
Key Themes
See below
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At an Ohio resort where Southern slaveholders openly summer with their enslaved mistresses, four women navigate the brutal complexities of love, friendship, and the perilous whispers of freedom as the Civil War looms.
The novel opens with Lizzie, an enslaved woman and mistress to her master, Drayle, arriving at Tawawa House in Ohio, a resort popular among Southern slaveholders who bring their enslaved mistresses. She meets her friends Reenie and Sweet, who are also enslaved mistresses to their masters, August and George. The women settle into their familiar routines, enjoying the relative freedom and friendship the resort offers, a stark contrast to their lives on the plantations in the South. They share news from home and discuss their masters, avoiding talk about their presence in free territory.
The dynamics at Tawawa House change with the arrival of Mawu, an enslaved woman who is the mistress of a particularly cruel master. Unlike Lizzie, Reenie, and Sweet, Mawu openly discusses running away and claiming her freedom, challenging the unspoken comfort among the women. Her bold talk and determination plant seeds of doubt and hope in the other women's minds, forcing them to confront their bondage and the possibility of a different life, despite the risks and their ties to their lives in the South.
Driven by her desire for freedom, Mawu tries to escape from Tawawa House. She flees into the woods, hoping to reach safety. However, her attempt is short-lived. She is tracked down and recaptured by her master's men and, in a harrowing display of slavery's brutal realities, is brought back to the resort and publicly whipped. This event deeply traumatizes the other women, especially Lizzie, who sees the violence. It shows the severe consequences of defiance and casts a chilling shadow over any hopes of freedom they might have had.
Mawu's actions and punishment force Lizzie to re-evaluate her relationship with Drayle and her understanding of her own bondage. She experiences an internal conflict, torn between her affection and loyalty to Drayle, who has shown her kindness and privilege, and the undeniable longing for true freedom that Mawu has awakened within her. Lizzie's comfortable, yet restricted, existence is now seen through a new lens, showing the contradictions and moral complexities of her situation as an enslaved mistress.
A mysterious fire breaks out at Tawawa House, causing significant damage and chaos. The fire is a turning point, disrupting the delicate balance and forced normalcy of the resort. Afterward, the masters become more watchful and paranoid, tightening their control over the enslaved women. The event also brings to the surface tensions and resentments among the masters, as well as between the enslaved women, intensifying the already difficult atmosphere at Tawawa House and signaling an end to their seemingly ideal summer.
Reenie, usually quiet, tells Lizzie a heartbreaking secret: her children, whom she loves deeply, are not fathered by her master, August, but by another enslaved man, who was later sold away. This revelation shatters Lizzie's perception of Reenie's life and shows the vulnerability of enslaved women and the constant threat of family separation. Overwhelmed by her circumstances and the hopelessness of her situation, Reenie falls into a deep depression, her spirit broken by the weight of her past and uncertain future.
Sweet, known for her practicality, also considers freedom. However, her main concern remains her children, who are still on her master George's plantation. She knows that any attempt to gain her own freedom would likely mean abandoning them or putting them in danger. Despite the appeal of liberty, Sweet makes the difficult decision to prioritize her children's immediate safety, choosing to remain enslaved to ensure their survival and protection, showing the agonizing choices enslaved mothers faced.
Inspired by Mawu's courage and deeply affected by Reenie's despair, Lizzie finally makes a life-changing decision. She chooses to pursue her own freedom, recognizing that despite the privileges she has as Drayle's mistress, she is still enslaved and her life is not her own. This decision is not easy, as it means leaving behind the only life she has ever known and breaking her complex ties to Drayle, but the desire for self-ownership and true liberty ultimately outweighs her fears and attachments.
With the help of a sympathetic worker at Tawawa House, Lizzie plans her escape. She carefully plans her departure, taking advantage of a moment of distraction. The escape is filled with tension and fear, as Lizzie navigates the unfamiliar area and the constant threat of recapture. This journey is not just physical, but a psychological break from her past, a definitive step towards reclaiming her agency and forming a new identity outside the confines of slavery and her relationship with Drayle.
Lizzie successfully escapes Tawawa House and begins a new life in freedom. However, her new existence has difficulties. She faces the challenges of self-sufficiency, navigating a world where she is no longer protected by Drayle's name, even as an enslaved person. She encounters both kindness and prejudice, learning to forge her own path and define her own identity outside her past. This period marks a transformation for Lizzie, as she discovers the meaning of independence and resilience.
As the story progresses, the coming Civil War casts a long shadow over the narrative, signaling the end of slavery. The women, whether still enslaved or newly freed, are aware of the changes ahead. The novel concludes with Lizzie, Reenie, and Sweet having made their individual choices, each dealing with their own versions of love, loss, and resilience in a society on the brink of radical change. Their stories show the diverse experiences and enduring spirit of enslaved women at a crucial moment in American history.
The Protagonist
Lizzie evolves from a woman accepting her gilded cage to one who actively seeks and ultimately achieves her freedom, confronting the moral complexities of her past and forging a new identity.
The Supporting
Reenie's arc reveals the devastating impact of past traumas, leading her to a profound state of despair, illustrating the human cost of the institution of slavery.
The Supporting
Sweet's arc showcases the difficult choices enslaved mothers made, ultimately choosing her children's immediate safety over her own personal freedom.
The Supporting
Mawu's arc is one of unwavering defiance and sacrifice, serving as a powerful symbol of resistance and the catalyst for other characters' awakening to the possibility of freedom.
The Supporting
Drayle remains largely static in his role, representing the entrenched mindset of the slave-owning class, even as the world around him begins to shift.
The Supporting
August's arc is limited, serving primarily to illustrate the detached and often callous nature of many slave-master relationships.
The Supporting
George's arc is minor, primarily serving as the figure who holds Sweet's children captive, thus influencing her choices.
The Mentioned
Colonel Judson's arc is static, representing the societal structure that enables the resort's controversial existence.
The novel explores freedom not as a simple choice, but as a complex idea, especially for enslaved women. For Lizzie, Reenie, and Sweet, 'freedom' in Ohio is still tied to their masters' control, offering a deceptive sense of liberty. Mawu's arrival shatters this illusion, forcing them to confront the true meaning of self-ownership versus a conditional existence. The women grapple with the difficult choices between personal liberty and the safety of their families still in the South, showing that freedom often came with sacrifices and new challenges, as Lizzie experiences after her escape.
“What was freedom, if you had to leave everything you loved behind?”
Perkins-Valdez looks at the paradoxical nature of love and affection within the brutal institution of slavery. Lizzie's relationship with Drayle is a central example: while he shows her kindness and they have children, he ultimately owns her, denying her basic human rights. The novel questions whether genuine love can exist in such an imbalanced power dynamic. It also shows the deep love between the enslaved women themselves, and a mother's love for her children (like Sweet's sacrifice), which persists and even grows amidst dehumanizing circumstances, becoming a source of resilience and pain.
“He loved her, she knew it. But his love was a cage, gilded though it might be.”
The bond between Lizzie, Reenie, and Sweet forms the emotional core of the novel. Their shared experiences at Tawawa House create a unique sisterhood, a safe space where they can confide in each other, offer support, and momentarily escape their individual isolation. This solidarity becomes important as they navigate the challenges posed by Mawu's arrival and the subsequent events. Their friendship highlights the importance of community and mutual understanding in surviving oppressive systems, even when their individual paths and decisions differ.
“They were sisters, bound by a secret life, by the shared weight of their gilded chains.”
Tawawa House, though in free Ohio, functions as a deceptive sanctuary. For the enslaved mistresses, it offers a temporary break from the harsh realities of plantation life, a place where they can gather, socialize, and experience some autonomy. However, events, particularly Mawu's recapture and the fire, show how fragile this 'freedom' is. The resort ultimately remains a place where their masters' power is supreme, revealing that the geographical lines of 'free' and 'slave' territory were often blurred by economic interests and the reach of the slave system.
“Ohio might be free, but they were not. Not truly.”
A resort in free territory that serves as a liminal space for enslaved mistresses.
Tawawa House functions as a critical plot device by creating a unique liminal space. Its location in free Ohio, contrasted with the enslaved status of the women, highlights the moral ambiguities of the era. The resort's temporary nature allows for the gathering of characters from different plantations, fostering their unique sisterhood and providing a backdrop for their internal and external conflicts. It also serves as a microcosm of the larger societal contradictions surrounding slavery, where 'gentlemen' could openly bring their enslaved mistresses without legal repercussions, exposing the hypocrisy of the time.
A new character whose radical ideas and actions instigate change and conflict.
Mawu's introduction into the established dynamic of Lizzie, Reenie, and Sweet serves as a powerful catalyst. Her unwavering desire for freedom and her bold actions, including her escape attempt, directly challenge the other women's complacency and force them to confront the true nature of their bondage. She introduces the radical idea of active resistance and freedom, breaking the unspoken agreement to avoid such topics. Her presence and eventual punishment are pivotal in driving Lizzie's internal conflict and ultimately her decision to escape, thus propelling the main plot forward.
A sudden, destructive event that disrupts the status quo and heightens tension.
The fire at Tawawa House is a significant plot device that acts as a disruptive force. It shatters the illusion of safety and normalcy that the resort had offered, signaling a definitive end to the 'summer idyll.' The fire creates chaos, exposes underlying tensions among the masters, and increases their vigilance, making any thought of escape more perilous. Symbolically, it can be seen as burning away the old ways and forcing the characters to confront harsher realities, pushing Lizzie and the others towards their ultimate decisions about freedom.
The historical term used to define and dehumanize enslaved mistresses, impacting their identity.
The very title and the repeated use of the term 'wench' throughout the narrative serve as a crucial plot device by highlighting the dehumanizing and objectifying nature of the enslaved mistresses' existence. This term encapsulates their dual role as both sexual partners and property, denying them full personhood. The women's struggle to define themselves beyond this label, to reclaim their identities and agency, is central to their individual arcs. The term itself underscores the societal attitudes that enabled their exploitation and the profound psychological impact of being defined by such a degrading word.
“Before the war, before the deaths, before the world changed, before all the things that happened, there was a time that Lizzy thought of as 'before.'”
— Lizzy reflects on the innocence of her past before the Civil War and its profound impact.
“Wench was a word that men used for a woman who wasn't theirs, but who they still felt entitled to.”
— Lizzy ponders the derogatory term and its implications for enslaved women.
“Freedom was not a gift to be given, but a right to be claimed.”
— Lizzy's evolving understanding of emancipation and agency.
“The hardest part of leaving was not the physical act, but the severing of the invisible ties that bound you to a place, to a person, to a past.”
— Lizzy contemplates the emotional difficulty of escaping her past and the plantation.
“Love, in a place like Sweetwater, was a dangerous thing. It made you vulnerable. It made you hope.”
— Lizzy considers the risks of love and attachment within the confines of slavery.
“She had learned that sometimes, the only way to survive was to pretend a part of yourself didn't exist.”
— Lizzy's coping mechanism for enduring the hardships of her life.
“The world was a vast and terrifying place, but it was also full of possibilities, if you were brave enough to seek them.”
— Lizzy's growing sense of hope and determination as she considers her future.
“Every secret was a burden, and hers felt heavy enough to sink a ship.”
— Lizzy reflects on the weight of her hidden truths and experiences.
“There was a different kind of freedom in silence, a space where her thoughts could roam without judgment.”
— Lizzy finds solace and agency in her internal world.
“History was not just dates and names; it was the stories of people, their joys and their sorrows, their struggles and their triumphs.”
— The author's implicit commentary on the nature of history through Lizzy's perspective.
“She knew now that sometimes, the most important battles were fought not with fists or words, but within the quiet confines of one's own heart.”
— Lizzy's realization about the internal struggles and resilience required.
“The past was a shadow that followed you, no matter how far you ran.”
— Lizzy grapples with the inescapable influence of her past experiences.
“To be truly free, she realized, was not just to be unbound, but to be able to choose.”
— Lizzy's deeper understanding of the meaning of true freedom.
“Sometimes, the only way to find yourself was to lose everything else.”
— Lizzy's journey of self-discovery through hardship and loss.
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