“You don't want to be the woman who tried to get free stuff just because she's black. You don't want to be that woman. You just don't.”
— Emira reflecting on the incident at the grocery store and the pressure to avoid stereotypes.

Kiley Reid (2019)
Genre
Literary Fiction
Reading Time
6-7 hours
Key Themes
See below
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A well-meaning but self-absorbed white blogger's attempt to 'help' her Black babysitter after a racially charged incident at a grocery store strains their relationship and reveals uncomfortable truths about race, class, and privilege.
Late one evening, Alix Chamberlain, a successful white lifestyle blogger and entrepreneur, calls her African American babysitter, Emira Tucker, in a panic. Alix's husband, Kelley, has just had a public incident involving a dead bird, and the family is in chaos. Alix asks Emira to take her two-year-old daughter, Briar, out of the house for a distraction, even though it is late. Emira takes Briar to a high-end grocery store, where a security guard and a shopper accuse her of kidnapping the child, citing the difference in their races. Emira tries to explain, but the situation escalates until the shopper, a white man named Kelley, recognizes Alix's name from Briar's insistent calls for her mother. Kelley then offers to delete the footage, but Emira is shaken and refuses.
Alix is horrified when she learns about the incident at the market. She immediately offers Emira a raise and extra shifts, trying to make amends and show her support. Emira, however, is deeply affected by the racial profiling she experienced. She is also grappling with her own life, feeling directionless at twenty-five, working a low-paying job, and facing pressure from her friends, Zara and Catherine, to find a more stable career. Despite Alix's offers, Emira feels increasingly uncomfortable with the Chamberlain family's privileged world, sensing a disconnect between their well-meaning actions and her lived experiences as a Black woman.
Emira meets the man who filmed her at the grocery store, who introduces himself as Kelley Copeland. They begin a romantic relationship, with Kelley appearing understanding and supportive of Emira's experiences. He encourages her to process the incident and even suggests she consider using the footage to expose the injustice. Emira finds comfort and attraction in Kelley's progressive views and their shared understanding of racial issues. Unbeknownst to Emira, Kelley has a significant past connection with Alix Chamberlain, a detail he deliberately withholds, setting the stage for future complications and betrayals.
Alix, wanting to prove she is 'not like other white women' and to fix the market incident, becomes overly involved in Emira's life. She offers to help Emira with her career, suggests she apply for specific jobs, and even tries to set her up with a friend's son. While seemingly well-intentioned, Alix's actions often come across as intrusive and condescending, making Emira feel more like a project than an equal. Emira's friends, Zara and Catherine, notice Alix's increasing presence and warn Emira about the power dynamics at play, urging her to be careful of Alix's motives.
As Emira and Kelley's relationship deepens, a series of coincidences and overheard conversations begin to reveal Kelley's secret. Emira learns that Kelley Copeland is the same Kelley with whom Alix had a tumultuous romantic relationship in high school, and he was accused of stalking her. This revelation shatters Emira's trust, making her question Kelley's true intentions and the sincerity of his support. The discovery exposes a web of deceit, as Kelley had deliberately sought out Emira after the market incident, using her as a pawn in his unresolved vendetta against Alix. Emira confronts Kelley, leading to a painful breakup and a deeper sense of betrayal.
Alix's entire brand relies on authenticity and relatability, but the underlying tensions with Emira and the re-emergence of Kelley threaten her carefully constructed public persona. She is constantly aware of how her actions might be perceived and is desperate to avoid any scandal that could tarnish her image as a progressive, supportive employer. Her attempts to 'help' Emira are often intertwined with her need to feel like a 'good' person and to prevent any negative publicity. The market incident, and her handling of it, becomes a potential problem that could expose the performative aspects of her public identity.
Emira attends Thanksgiving dinner at the Chamberlains', feeling increasingly out of place and resentful of Alix's overbearing presence in her life. The atmosphere is strained, with Emira observing the family's dynamics and her own uncomfortable position within it. The simmering tensions regarding Kelley's past and Alix's patronizing behavior come to a head. Emira finally confronts Alix about her manipulative tendencies and the ways in which Alix's 'help' has felt more like control. The confrontation is a crucial moment, exposing the deep-seated misunderstandings and the racial and class divides between them.
Kelley, seeking revenge against Alix, leaks the video of the market incident. The video quickly goes viral, sparking public outrage and media attention. Alix's brand is severely impacted, and she faces public scrutiny. Emira is thrust into the spotlight, becoming a reluctant symbol of racial injustice. She is approached by various media outlets and legal teams, who want her to speak out against Alix and the supermarket. Emira finds herself at a crossroads, needing to decide whether to use the moment for personal gain or to prioritize her own agency and well-being, separate from the narratives others want to impose on her.
After much thought and internal struggle, Emira decides not to fully participate in the public spectacle surrounding the leaked video. She refuses to be a pawn in Kelley's revenge scheme or to be used by media outlets seeking a sensational story. She gives a brief, carefully worded statement, acknowledging the injustice but asserting her desire to move on. Emira ultimately chooses to prioritize her own peace and future, accepting a job that offers stability and a sense of purpose. She distances herself from both Alix and Kelley, recognizing the toxic dynamics that had developed and asserting her independence.
The leaked video and Emira's refusal to fully support Alix's narrative have significant repercussions for Alix. Her public image is tarnished, and her brand suffers. She is forced to confront the performative nature of her 'wokeness' and the ways in which her good intentions were often self-serving. While she attempts to do damage control, the incident is a public reckoning, forcing her to acknowledge her own blind spots and the systemic privileges she enjoys. The ending suggests that Alix will have to genuinely re-evaluate her approach to race, class, and allyship, rather than simply projecting a curated image.
Some years later, Emira runs into Briar, now a young girl, at a grocery store. The encounter is brief but meaningful, showing the lasting bond they formed despite the complicated circumstances. Briar recognizes Emira, and there is a moment of genuine connection, free from the adult drama and racial tensions that surrounded their previous interactions. This final scene provides a sense of closure and hope, suggesting that while the adults navigated their complex relationships, the innocent connection between Emira and Briar remained a pure and significant aspect of the story, transcending the societal issues at play.
The Protagonist
Emira learns to assert her agency and define her own narrative, moving from passive acceptance to active self-determination.
The Antagonist/Supporting
Alix's carefully constructed public persona is challenged, forcing her to confront her own biases and the limitations of her 'good intentions.'
The Antagonist
Kelley's deceit is exposed, revealing him as a manipulative figure driven by a desire for revenge rather than genuine social justice.
The Supporting
Briar remains a consistent source of pure connection, unaffected by the adult dramas, and her bond with Emira endures.
The Supporting
Zara consistently provides Emira with a reality check and encourages her to prioritize her own well-being and future.
The Supporting
Catherine helps Emira navigate the complexities of her situation, offering a balance of empathy and critical insight.
The Supporting
Kelley remains largely static, representing the privileged, often oblivious, male figure in the background of the domestic drama.
The novel examines the difference between performative allyship, often driven by self-interest and a desire to appear 'good,' and genuine, empathetic connection. Alix's attempts to 'help' Emira after the market incident are initially seen as well-intentioned but gradually reveal themselves to be more about easing her own guilt and maintaining her public image as a progressive white woman. Her actions, such as offering unsolicited career advice or trying to set Emira up, often feel intrusive and condescending, lacking true understanding of Emira's needs or experiences. In contrast, Emira's bond with Briar is pure and authentic, showing how genuine connection transcends racial and class divides, free from the performative gestures of the adults.
“What Emira understood was that Alix Chamberlain wanted to be her friend. What Emira understood was that Alix Chamberlain was going to make sure that Emira knew she was her friend.”
The novel portrays the everyday reality of racial microaggressions and implicit bias faced by Black individuals. The central incident at the grocery store, where Emira is accused of kidnapping Briar solely based on their racial difference, is a clear example. Beyond this overt act, Emira experiences subtle slights and assumptions throughout the story. Alix's constant attempts to 'uplift' Emira, even when well-meaning, often carry an underlying assumption of Emira's need for white guidance. These moments show how racism is not always overt hatred but can appear in unconscious biases and the burden placed on Black individuals to navigate white spaces.
“This is what happens when you’re a Black woman in America, Emira thought. You get used to explaining yourself.”
The contrast between Emira's economic precarity and the Chamberlains' wealth is a central theme. Emira, despite having a college degree, struggles to find a stable, well-paying job, living paycheck to paycheck and feeling adrift. The Chamberlains, on the other hand, live in a lavish home, employ multiple staff, and enjoy a life of privilege where financial concerns are largely absent. This divide highlights the systemic barriers that prevent upward mobility for many, particularly Black women, and how 'good intentions' from those in power often fail to address the root causes of economic inequality. Alix's offers of 'help' often feel out of touch with Emira's financial realities.
“Emira knew that Alix was good at making things happen. But Emira also knew that Alix had never had to worry about rent.”
The novel explores different facets of motherhood and nurturing, particularly through Emira's relationship with Briar. While Alix is Briar's biological mother, her focus on her career and public image often leaves Briar feeling neglected. Emira, as the babysitter, provides consistent, loving, and attentive care, forming a deep and genuine bond with the toddler. This contrast highlights that nurturing is not solely defined by biological ties but by presence, empathy, and genuine connection. Emira's ability to connect with and care for Briar shows her fundamental goodness and emotional intelligence, standing in clear contrast to the performative aspects of the adult world.
“Emira loved Briar. She loved the way Briar smelled, the way she snuggled into her neck, the way she pronounced certain words.”
A significant theme is the problematic nature of white saviorship, where white individuals attempt to 'save' or 'fix' Black individuals, often without truly understanding their experiences or agency. Alix embodies this, seeing Emira as a project to be managed and 'helped' rather than an independent adult with her own thoughts and desires. Her actions, though framed as benevolent, ultimately disempower Emira and strip her of her autonomy. The novel critiques the idea that white intervention is inherently good, revealing how it can perpetuate existing power imbalances and prevent true solidarity.
“Alix thought she was helping. Emira knew she was just trying to feel better about herself.”
A video recording of the market incident that serves as both a catalyst for conflict and a symbol of media exploitation.
The video of Emira being racially profiled at the grocery store is a pivotal plot device. Initially, it's a source of trauma for Emira and a tool for Kelley Copeland's manipulative agenda. When it's leaked, it becomes a viral sensation, thrusting Emira into the public eye and forcing Alix to confront the consequences of her actions. The video symbolizes the power of visual evidence in exposing injustice, but also the potential for media to commodify and exploit personal trauma, raising questions about who controls the narrative and for what purpose.
The audience is aware of information that certain characters are not, particularly regarding Kelley Copeland's past.
Dramatic irony is heavily used, especially concerning Kelley Copeland's true identity and his history with Alix. The reader quickly learns that Kelley, the man Emira is dating, is the same Kelley from Alix's past. This creates tension and suspense, as the audience anticipates the inevitable revelation and its impact on Emira. This device highlights Kelley's manipulative nature and underscores Emira's vulnerability, making her eventual discovery all the more impactful and heartbreaking.
The story is told primarily through the perspectives of Emira and Alix, offering contrasting internal experiences.
The novel primarily employs a third-person limited omniscient narration, alternating between Emira's and Alix's perspectives. This device allows the reader to delve into the inner thoughts and motivations of both main characters, providing a nuanced understanding of their differing experiences, biases, and intentions. By showing both Emira's feelings of frustration and Alix's attempts to be 'good,' the narrative effectively highlights the communication gaps, misunderstandings, and inherent power imbalances that drive the central conflicts, without explicitly siding with one character over the other.
Briar represents innocence, authenticity, and the potential for genuine connection across divides.
Briar, the toddler Emira babysits, acts as a powerful symbol throughout the novel. Her innocence and her pure, uncomplicated affection for Emira stand in stark contrast to the complex, racially charged, and often performative interactions of the adults. Briar's frequent calls for 'Emira' at critical moments, particularly during the market incident, serve to humanize the situation and underscore the genuine bond between them. She symbolizes the hope for authentic connection and the uncorrupted nature of childhood, untouched by the societal prejudices that plague the adult world.
“You don't want to be the woman who tried to get free stuff just because she's black. You don't want to be that woman. You just don't.”
— Emira reflecting on the incident at the grocery store and the pressure to avoid stereotypes.
“Being a black woman in America was a lot like being a black woman at the grocery store: you were always on display.”
— Emira's internal thoughts about her visibility and the scrutiny she faces as a black woman.
“You can't pay someone to have a relationship with you, but you can pay someone to take care of your kid, and sometimes that's the closest thing.”
— Alix comparing the transactional nature of childcare to the emotional bonds formed.
“Sometimes when you're a parent, you have to choose between being a good parent and being a good person.”
— Alix grappling with difficult decisions and her own moral compromises.
“It was impossible to be truly colorblind; everyone saw color, but only some people chose to act like they didn't.”
— Emira's perspective on the concept of 'colorblindness' in racial discussions.
“The world was full of good intentions, and the road to hell was paved with them.”
— A general observation about well-meaning but ultimately harmful actions, particularly from Alix's perspective.
“Maybe what she really wanted was to be seen as the kind of person who would never do something like that.”
— Alix's desire to be perceived as a morally upright and non-racist individual.
“She was an adult, but she wasn't an adult with a plan. She was an adult with a lot of questions.”
— Emira's internal struggle with her career and life path as she approaches her late twenties.
“The difference between being a good person and being a person who did good things was a matter of intention, not outcome.”
— Another reflection on the complexities of morality and the gap between intent and impact.
“You don't know what it's like to be someone else, to be looked at and judged and found wanting, just because of how you look.”
— Emira's frustration with others who cannot understand her experiences with racial profiling.
“It was easier to care about the idea of someone than the actual, messy person.”
— Reflecting on how people often idealize others, especially those they claim to want to help.
“The world was full of people who wanted to help, but not everyone knew how to do it without making it about themselves.”
— A critique of performative allyship and self-serving acts of 'help'.
“She didn't want to be a symbol. She just wanted to be a person.”
— Emira's desire to be seen as an individual rather than a representation of her race or a cause.
“Sometimes the biggest acts of kindness were the ones that went unnoticed.”
— A subtle observation about genuine care versus publicized gestures.
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